Bill Frisell - guitar Jenny Scheinman - violin Eyvind Kang - viola Hank Roberts - cello
Produced by Lee Townsend
Recording and Mixing Engineer: Adam
Muñoz
Mastering Engineer: Greg Calbi
Production Assistance: Adam Blomberg
Recorded and mixed at Fantasy Studios, Berkeley, CA
Mastered at Sterling Sound, New York
Art Design: Gwen Terpstra, Terpstra Design
Photo: Michael Wilson
All music composed by Bill Frisell at the Vermont Studio Center between
September 27th and October 16th, 2010.
Savoy Label Group
Song List:
1. It's A Long
Story
2. Old Times
3. Sign Of Life
4. Friend Of Mine 1
5. Wonderland
6. It's A Long Story
7. Mother Daughter
8. Youngster
9. Recollection
10. Suitcase In My Hand
11. Sixty Four
12. Friend Of Mine 2
13. Painter
14. Teacher
15. All The People, All The Time
16. Village
17. As It Should Be
TRT 53:23
REVIEWS
Sign of Life finds Frisell exploring chamber-group dynamics and interplay
in ways that toggle between composition and improvisation, reverberating
soundscapes and spiky minimalism... Owing to Frisell¹s familiar
touch, tone and affection for roots music, a few tunes on Signs of Life
should instantly appeal to his Nashville-bred following ... and the arrangements
take full advantage of the ensemble¹s rich sonorities and intuitive
level of play. by Mike Joyce, Jazz Times
"Frisell in peak form... the band's extemporaneous arrangements deliver
intricately worked variations on fiddle and guitar breakdowns and big
vista American pastoralism .... The sound sparkles like springwater." -
Phil Johnson, The Independent - London
Bill Frisell's Sign of Life (Savoy Jazz) is one of the most
gorgeous new albums I've heard in a while. It's in the tradition of his "Americana" albums
(Disfarmer; History, Mystery; Ghost Town; Gone,
Just Like a Train; This Land), but here he burrows deeper
into the roots. There are traces of folk, bluegrass, minimalism, western-blues,
as well as certain modes and improvisational cadences of jazz. The ensemble
is the 858 Quartet (Frisell on guitar; Jenny Scheinman, violin; Eyvind
Kang, viola; Hank Roberts, cello), first formed (and last recorded) five
years ago, to accompany a museum exhibition of Gerhard Richter's new
paintings, which the German artist called the "858 series."
Frisell composed the new album—all 17 tracks—at the Vermont
Studio Center, where his wife, the playful abstract painter Carole d'Inverno,
was on a month-long retreat. The liner notes quote John Cage and others
on the blessings of silence, of a pause from daily industry, and there
is a hushed awe about Sign of Life, an expression of intense
calm. The musicians are top-notch, in fine form, and the sound—produced
by Lee Townsend, engineered by Adam Munez, mastered by Greg Calbi—is
stunningly vivid. Fred Kaplan, Stereophile.
"The music is transcendent; alternately light and airy, moody and introspecitve." - Vintage
Guitar
The music on Sign of Life: Music for 858 Quartet was loosely
composed by Frisell, and took shape in group rehearsals. 858's other
members include violinist Jenny Scheinman, violist Eyvind Kang, and cellist
Hank Roberts. Recorded at Fantasy Studios in San Francisco and produced
by Lee Townsend, the 17 selections on this set feel very organic. The
album opens with Americana-tinged themes in the two-part "It's a Long
Story" that nod to country, folk, and even Curtis Mayfield's "People
Get Ready" in its melody. "Old Times" hints at bluegrass, blues, and
ragtime, but because of the complex interplay between the four players,
reaches far past them into a music that is 858's own. "Friend of Mine" is
another two-part tune; that said, where a pastoral theme is suggested
in part one, a more mischievous one responds in the second some eight
tracks later. Elsewhere, improvised classical motifs, jazz modes, and
folk and other roots musics shimmer through these compositions, sometimes
simultaneously and often spontaneously.... Sign of Life is a
curious, quirky, and deceptively low-key affair that is musically labyrinthine
and ambitious; it's full of gorgeous spaces, textures, utterly instinctive
interplay, and unexpected delight. Thom Jurek, All Music Guide
Bill Frisell rarely follows conventional musical pathways. The guitarist
has released albums of Americana, world, blues and classical music—all
with a jazz edge. Improvisation is at the heart of what Frisell does,
magically forming loose ideas into compelling and frequently exigent
listening experiences. Sign of Life, recorded with the virtuosic 858 Quartet—violinist
Jenny Scheinman, violist Eyvind Kang and cellist Hank Roberts—challenges
the
perceptions of a classical quartet. Frisell’s emotive depth
and textural layering push the music toward an artier realm bordering
on contemporary classical, but with a spatial, earthbound feel. Elements
of Aaron Copeland mix with Marvin Gaye, Eastern rhythms collide with ‘70s-soundtrack-esque
passages and even old-timey traditions make a brief appearance. It’s
a diverse album that reveals new delights with each spin. - Glenn Burn
Silver, Relix